Why should i read othello

However, if I had to pick one it would probably be Desdemona. Desdemona is loyal, compassionate and loving throughout the entire play leading up to her death. I feel that as a woman I to would hold out till the very end when voicing my innocence.

Othello is manipulated by Iago who is a master at manipulating people and does the same to Cassio and Roderigo. Although it would be possible for Othello to shake off Iago 's influence, it would be extremely difficult. Although Othello has control over his actions, his perspective is skewed by Iago 's manipulation. So in one sense it was his own doing that he struck Desdemona publicly and murdered her privately, and yet he was doing so in response to a false belief that has been implanted in him and would be nearly impossible to resist.

You may say, "But no matter what Desdemona had done, Othello should have known it was wrong to kill. Othello believed Iago and become vulnerable to anything negative simply because of his ability to be so very jealous. He also has a very short temper and rushes into decisions without really thinking or asking …show more content… In what ways is she a contrasting character to Desdemona? What other characters serve to balance each other? A Emilia 's relationship with Iago really seems like a marriage made in hell.

Iago constantly mocks and disrespects her. He never seems to offer her any affection, and he always talks trash about women in general. B Desdemona and Emilia are similar in their honor to their husbands, yet they are strikingly different because their motivation comes from different areas. Both Desdemona and Emilia show honor and respect to their husbands Othello and Iago the two women each respond to her husband 's bidding.

Yet the two women are in very different relationships, and this causes them to have different motivating factors. Desdemona and Othello have a relationship that is based on true love, and the two want to see each other happy. This motivates Desdemona to comply with Othello. But Emilia and Iago appear to have a relationship based on necessity Iago does not speak kindly to Emilia nor does he show her any tenderness. C Another. Get Access. Good Essays. Read More. Better Essays. Women In Othello Words 3 Pages.

Women In Othello. Satisfactory Essays. Each of these overlapping elements of the story add to the drama and tragedy of Othello and thus make it an entertaining examination of the history and context of Europe. Furthermore, Othello is continuously preformed and read today because these themes in the modern world have not gone away. In most countries the idea of foreigners entering and taking over are not welcome. Likewise, the importance of honor and reputation of yourself in public is a personal issue that everyone can relate to and will always be relevant.

W e have chosen to analyze the themes of honor and race and religion regarding the Ottoman Empire throughout this website. However, during your first read of Othello it would be helpful to be aware of these other themes in order to understand the play entirely. Some questions to keep in mind while reading would be: Why does Othello trust Iago over his own wife?

This question also speaks to the different representation of men and woman throughout the play. Desdemona is a prized Venetian woman at the start of the play but is viewed as a whore by her husband as the story unfolds.

Furthermore, these issues can also be reflected by the motif of the white handkerchief with red strawberries. This motif emphasizes the intimate connection between husband and wife through gift giving as well as the sexuality problems within the course of the play.

Additionally, it is also helpful to consider the importance of reputation for the characters. The story revolves around its two central characters: Othello, a Moorish general in the Venetian army and his unfaithful ensign, Iago.

Given its varied and enduring themes of racism, love, jealousy, betrayal, revenge and repentance, Othello is still often performed in professional and community theater alike, and has been the source for numerous operatic, film, and literary adaptations. Ayne Ray. Hands down the worst pillow fight in history.

He was deeply frustrated with the sweet tongue of the evil Iago, speaking in one way and acting in another, spreading fake news and rumours while pretending to be supportive and unselfish. The truly honest people are not humble, and do not claim to be. They show their strengths, weaknesses and intentions clearly, and play with open cards, only to lose to the characters they consider most 'onest, for being so very 'umble.

It was interesting for me to see that my son reads Othello not so much as a passionate drama based on jealousy, but rather as a political post-truth play, with the most wicked players on stage winning. Shakespeare certainly put both jealousy and politics into the plot, and young people who begin their path towards political understanding of the world now, post, feel more strongly about the lying, the manipulation, the slander than about the unreasonable reaction to the suspicion of faithlessness.

For me, reading Shakespeare with more pleasure now than ever, it is proof that his voice is universal and timeless, and that he speaks to yet another generation of readers, just like Dickens. Unfortunately, we can't write our villains into prisons in the end like Dickens and Shakespeare!

Not trying to upset Proust or Joyce, but these days, it's Shakespeare who's been taking me to bed every night. He's become part of my daily routine and his are my last conscious thoughts before departing to dreamland. Granted, it could be another playwriter or even a regular book.

All I need really are small chapters that I can finish quickly when slumber's tentacles start to wrap my body and their calming effects slowly soothe my mind. But it's been Shakespeare So Shakespeare stays. I've recently finished Hamlet and King Lear and rated them 5 stars for I truly considered them nothing short of amazing plays, but I confess so much has been written about them, not only in amazing reviews but also in other literary classics that I'm not sure I have much to add.

Plus - while I enjoy writing my usual ramblings about books I just finished, I try to keep this exercise as natural as possible and avoid turning it into a mandatory thing - my feelings about them were not necessarily words - or known words, and I don't want to emulate Joyce's style by having a review filled with weenybeenyveenyteeny. So I let them be, aware that they might come back as ghosts to haunt me at anytime.

Ah, that powerful, destroying force that can conjure up hurricanes in sealed bedrooms where the wind wouldn't possibly get in otherwise. That overwhelming emotion that can spontaneously generate - or mutate - fear, anxiety and insecurity out of nothing. Could our eyes perceive jealousy - they can only see it's effects after it has taken over its victims - or had it a distinct color or even a form that we could see surrounding the jealous, Desdemona perhaps would've not been blindsided the way she was by Othello, and Othello perhaps would've been able to escape Iago's double-dealings.

Never, not even for one second, I could doubt the realism of Shakespeare's plot of course, some of the drama is over the top, but still As much as insecurity can act as an inflammatory factor for a little kid to believe he's seeing monsters when he's all alone up in his room, watching different and unsettling shadows dance on his walls, it can also - for a person who's jealous is merely insecure - make a handkerchief look like an indisputable evidence of guilt in the court of jealousy.

It is composed of an infinity of successive loves, of different jealousies, each of which is ephemeral, although by their uninterrupted multiplicity they give us the impression of continuity, the illusion of unity.